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Tag: <span>Hollywood</span>

Dusko Poppington

INTERVIEW: Dame Dash On His Career Moves, Big L & Not Having Heard JAY-Z’s “4:44”

Originally posted on HipHopDX 8/29/2017

Dame Dash has played a major role inside and outside the realm of Hip Hop. For the past couple of decades, Dame’s had his hands in everything, from the career of the most successful rapper alive to some of the biggest movies in the urban sphere.

Dame recently stopped by DXHQ to politic with the #DXLive crew about a myriad of things, such as his career in film and music, JAY-Z being the best, and not having listened to 4:44 yet.

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Skyzoo

INTERVIEW: Skyzoo Breaks Down Secrets To Being A Professional Ghostwriter & Talks Role In “Patti Cake$”

Originally posted on HipHopDX 8/6/2017

For MCs as technically gifted as Skyzoo, there are many lucrative paths your career can take you. The Brooklyn Knight has lent his pen to many top secret projects. Fresh off the release of his hardbody new project, Peddler’s Theme, Sky stopped by the DXHQ to talk with the #DXLive crew about how the ghostwriting game truly works and his role in the upcoming film, Patti Cake$.

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Jason Mitchell

INTERVIEW: Jason Mitchell & Algee Smith On Importance Of Detroit Riots’ History

Originally posted on HipHopDX 8/4/2017

The young careers of Jason Mitchell and Algee Smith have already been promising. Breaking out as Eazy-E in 2015’s Straight Outta Compton and Ralph Tresvant in this year’s New Edition biopic respectively, both Jason and Algee’s trajectory couldn’t be higher. 

Kathryn Bigelow’s visceral and harrowing new movie Detroit based on real events brings the two together with the 1967 civil uprising in Detroit as the backdrop. Algee plays Larry Cleveland Reed, lead singer of soul group The Dramatics and Jason depicts 17-year-old Carl Cooper, who was viciously executed by a white Detroit police officer.



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MC Eiht

INTERVIEW: MC Eiht Reveals Origins Of Shelved Movie Opposite Bernie Mac & Lisa Raye

Originally posted on HipHopDX 6/27/2017

Perhaps one of the biggest mysteries of MC Eiht’s career is that we never saw him in a major role on the big screen after his standout performance in Menace II Societyas the cap-pillin’ South Central native, A-Wax. While the Compton MC explains his lack of interest in Hollywood, he divulges of a potential Blackbuster hit that was seized by the feds before it could ever see the light of day. 

“I’ve never really actually went after movie roles,” Eiht explained during a recent episode of #DXLive.” [If] somebody felt that I was fit for a part or do good in a particular situation then I would usually just let them come and ask me if I wanna get down. As far as like getting an agent and going after movie roles, I never got into that. I was strictly emceeing. That was my thing. A lot of times when you get into the Hollywood thing, you gotta conform to somebody you really don’t want to be or they try to change you into something. I just felt that trying to keep my own authentic direction with music that I wouldn’t go after roles. It’s not like people didn’t call me but a lot of stuff was comedy shit, a lot of stuff was Uncle Tom shit so I just backed away from it. I did Menace II Society and then that came with Thicker Than Water and then I had a little role in the Freeway Rick story. Just little bullshit. Who Made The Potato Salad, I did a little role. Then I shot a movie in Chicago that was called Reasons but it was government, political drug shit so they seized the movie and it never came out. We shot this movie maybe 15 years ago. Bernie Mac was in it. Lisa Raye was in it. It was a drug movie. A dude called Nathaniel Hill; he was a pretty big drug dealer and he basically made a movie about it. They seized the movie because he basically told the story of how he came up. He was on a worldwide run, they extradited him from Africa. We shot it in Chicago. It took us maybe four months to shoot it. Real big movie. Spike Lee’s producer [Monty Ross] directed it. It was gon’ be a big, large movie. I played the lead role. It was a real neighborhood pic but it was governments and indictments and courts and all that; followings and grand jury’s so they basically seized the movie.”

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Dear White People

INTERVIEW: “Dear White People’s” Justin Simien Scoffs At The Fake Mad Netflix Outrage

Originally posted on HipHopDX 5/4/2017

For Justin Simien, his path to Hollywood has been one mired in the kind of racism you would expect a black man to experience. After the success of his acclaimed and highly publicized movie Dear White People, Simien has followed it up with a show of the same title on Netflix. While the show currently has a perfect rating on the notoriously critical Rotten Tomatoes, Simien discusses how that path hasn’t always been so kind to him.

“[I experienced backlash] from day one,” Simien recalls during his recent segment on #DXLive. ‘The thing is [that] I incorporated it all into the movie. Anything negative people said, any knee-jerk reaction people had literally verbatim, their words are in the movie. Because, to me, that’s all a part of it. The fact that as a black artist I have to endure the knee-jerk [reactions] from the majority? That’s kind of what I’m talking about here. ‘Stuff White People Like’ I don’t remember that getting backlash [and] I don’t remember seeing people protest Stephen Colbert’s ‘Hey White People’ but because it’s a black guy saying the words white and people together, I don’t know, that just freaks people out.”

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IshDARR

ALBUM REVIEW: IshDARR Exhibits Modest Growth On Broken Hearts & Bankrolls

Originally posted on HipHopDX 11/6/2016
Rating: 3.4/5

For Milwaukee MC IshDARR, his life has to be playing out like a dream. Two years ago, he was a senior at Messmer High School piecing together what would become his career with his then music teacher. Fast forward to 2016 and the 20-year-old is taking meetings with labels, having young Hollywood starlets tweet his music and releasing his second full-length project Broken Hearts & Bankrolls.

At first listen, Broken Hearts & Bankrolls doesn’t carry the normal inequities you’d expect from an artist who isn’t old enough to legally drink. The production is robust and mixed with attention to detail. His flow is polished. The storytelling sequencing is spot on and there is a preset focus on the direction of the music. 

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